Klassic Kiss Mad-TV Halloween Special 1998
FOX TV
KISS MASK WEBZINE Celebrates 40 Years of KISS. Est. 1987
Sunday, October 31, 2010
Kiss on the Tomorrow Show with Tom Snyder Halloween 1979
Klassic Kiss
Kiss on The Tomorrow Show with Tom Snyder
Halloween 1979
Happy Halloween Everyone!
NBC TV
Kiss on The Tomorrow Show with Tom Snyder
Halloween 1979
Happy Halloween Everyone!
NBC TV
Saturday, October 30, 2010
12 Year Old Rocker Would Rather Listen to Kiss than Bieber
Move over Justin Bieber - 12-year-old rock star would rather listen to Kiss
Kieran Robertson is just 12-years-old but has played to an audience of 3,400 people in his rock group Juniors Wailing.
STV.com
Many children idolise Lady Gaga and Justin Bieber, but not so many would name Paul Stanley, the anti-drugs rhythm guitarist of glam-rock super group Kiss, as their hero. Yet this is who 12-year-old Kieran Robertson wants to be.
Kieran's road to rock stardom began at an Iron Maiden concert when he sat atop his dad's shoulders in the centre of a mosh-pit. The band's guitarist pointed right at him and he knew then what his future held. His band, Juniors Wailing, have now played in front of 3,400.
"I got my first ever guitar when I was about five," he told The Hour. "I started playing when I was about seven and at first I was thinking I'll never be able to do this, it was taking for ages, but I had a lot of patience and my dad taught me up until whatever he knew.
"Kiss put on a great show and that’s definitely the thing I'd like to do," said Kieran. "They have fireworks and jump about. Paul Stanley, my idol, doesn't do drugs, doesn't drink, he flies into the audience because he believes the audience and the band should be one, which is also what I think."
Read the rest here http://entertainment.stv.tv/music/205583-move-over-justin-bieber-12-year-old-rock-star-would-rather-listen-to-kiss/
Kieran Robertson is just 12-years-old but has played to an audience of 3,400 people in his rock group Juniors Wailing.
STV.com
Many children idolise Lady Gaga and Justin Bieber, but not so many would name Paul Stanley, the anti-drugs rhythm guitarist of glam-rock super group Kiss, as their hero. Yet this is who 12-year-old Kieran Robertson wants to be.
Kieran's road to rock stardom began at an Iron Maiden concert when he sat atop his dad's shoulders in the centre of a mosh-pit. The band's guitarist pointed right at him and he knew then what his future held. His band, Juniors Wailing, have now played in front of 3,400.
"I got my first ever guitar when I was about five," he told The Hour. "I started playing when I was about seven and at first I was thinking I'll never be able to do this, it was taking for ages, but I had a lot of patience and my dad taught me up until whatever he knew.
"Kiss put on a great show and that’s definitely the thing I'd like to do," said Kieran. "They have fireworks and jump about. Paul Stanley, my idol, doesn't do drugs, doesn't drink, he flies into the audience because he believes the audience and the band should be one, which is also what I think."
Read the rest here http://entertainment.stv.tv/music/205583-move-over-justin-bieber-12-year-old-rock-star-would-rather-listen-to-kiss/
Bruce Kulick on "That Metal Show" Tonight
Bruce Kulick TV Appearances
Kulick.net
Bruce Kulick will appear on VH1 Classic's "That Metal Show" tonight (Oct. 30) at 11PM (ET/PT). Bruce will also appear on on "Rock And Roll Fantasy Camp" at 10PM (ET/PT).
Bruce is also appearing this weekend at Kreatures of the South's Kiss Expo & Rock And Rock Convention tomorrow in Atlanta, GA. Special guests also include Bobby Blotzer of Ratt and John Corabi of Union, Scream and Motley Crue fame. Visit the Kreatures of the South website.
Kulick.net
Bruce Kulick will appear on VH1 Classic's "That Metal Show" tonight (Oct. 30) at 11PM (ET/PT). Bruce will also appear on on "Rock And Roll Fantasy Camp" at 10PM (ET/PT).
Bruce is also appearing this weekend at Kreatures of the South's Kiss Expo & Rock And Rock Convention tomorrow in Atlanta, GA. Special guests also include Bobby Blotzer of Ratt and John Corabi of Union, Scream and Motley Crue fame. Visit the Kreatures of the South website.
Friday, October 29, 2010
Ace Frehley at Gibson Press Conference Unveiling Firebird X
Ace & the Firebird X
Gibson.com
Photo: Ace Frehley and the new Gibson Firebird XPhoto Credit: Shahar Azran
This morning (October 28) in New York City, Gibson Chairman and CEO Henry Juszkiewicz made an announcement that staggered the music world. Juszkiewicz unveiled Gibson’s latest guitar, Firebird X. But press, fans and celebrities in attendance quickly learned that Firebird X was much, much more than any guitar ever conceived. Speaking to an audience that included such guitar luminaries as Ace Frehley, The Roots’ Kirk Douglas, Eddie Ojeda and Jay Jay French from Twisted Sister, Lou Pallo, Russ Paul and others, Juszkiewicz described an instrument light years ahead of anything ever built.
“This is new. This is different. This is revolution,” he declared before unveiling the axe. “Nobody looks and spends the time to reinvent the guitar. This is a new guitar.”
The Firebird X guitar takes the guitar instrument to new heights of functionality and usability for the professional player and the aspiring enthusiast. Using technologies that did not exist even a few years ago, Gibson has enhanced an already outstanding instrument to unbelievable performance and creative heights. The enhancements touch every aspect of the instrument from improved manufacturing technologies to the latest electronics.
To drive this point home, Juszkiewicz grabbed a traditional guitar and smashed it to pieces. Afterward, the crowd buzzed over the announcement. And already, video of the occasion has leaked onto the Internet.
“This is new. This is different. This is revolution,” he declared before unveiling the axe. “Nobody looks and spends the time to reinvent the guitar. This is a new guitar.”
The Firebird X guitar takes the guitar instrument to new heights of functionality and usability for the professional player and the aspiring enthusiast. Using technologies that did not exist even a few years ago, Gibson has enhanced an already outstanding instrument to unbelievable performance and creative heights. The enhancements touch every aspect of the instrument from improved manufacturing technologies to the latest electronics.
To drive this point home, Juszkiewicz grabbed a traditional guitar and smashed it to pieces. Afterward, the crowd buzzed over the announcement. And already, video of the occasion has leaked onto the Internet.
Paul Stanley & Gene Simmons in New York Halloween Parade
Gene Simmons & Paul Stanley in Greenwich Village Halloween Parade
Matt Porter Video
Paul and Gene were the Grand Marshalls in the 33rd year of the famous Village Parade, Halloween 2006. The video was shot by Karl Gober and edited by Matt Porter to the KISS classic, "Creatures of the Night," now in high-resolution for the first time.
Matt Porter Video
Paul and Gene were the Grand Marshalls in the 33rd year of the famous Village Parade, Halloween 2006. The video was shot by Karl Gober and edited by Matt Porter to the KISS classic, "Creatures of the Night," now in high-resolution for the first time.
Wednesday, October 27, 2010
Allan Schwartzberg Interview Part Two
Kiss' 'Ghost Drummer' Interviewed Part Two
Bravewords.com
(Editor's note: Schwartzberg has produced the new duet album for Regis & Joy Phelbin titled, "Just You And Me." You can visit Allan at his web sites Deepdiner.com & Bigdotrecords.com )
BraveWords.com: I’ve heard that you played drums on KISS’ Animalize and Asylum albums? Any truth to that or did you simply provide overdubs?
Schwartzberg: "Asylum, I did and on Animalize I did overdubs.”
BraveWords.com: How did KISS get in touch with you for those projects?
Schwartzberg: "I had already worked with Gene and I go back with the guys to the time when they were called WICKED LESTER.”
BraveWords.com: So, you go back to the late ‘60s/early ‘70s with them.
Schwartzberg: "Yeah, I was working at Hendrix’ studio (Electric Lady Land) and they were in the other studio working with Eddie Kramer. They were walking around in their boots and I was playing on a B.J. THOMAS record.”
BraveWords.com: Did they show up to record in full make-up and outfits?
Schwartzberg: "Well, I do remember them showing up in boots. Might not have been the big blocky boots, but they were decked out.”
BraveWords.com: Getting back to Animalize – this was 1984 and KISS were almost going for a heavy metal sound. They cranked up the amps and the drumming was a lot faster. How was it working on those overdubs? Do you know why Eric Carr wasn’t handling the overdubs?
Schwartzberg: "I don’t know the answer to that. I remember playing a lot of drums fills – fills that either weren’t there or they didn’t like and needed replacing.”
BraveWords.com: When you listen back to an album like that can you pick out your parts?
Schwartzberg: "I actually can. It’s a weird thing. It’s kind of like penguins amongst a million other penguins; they can still find their babies. I do hear myself in there.”
BraveWords.com: You ears perk up when you hear yourself…
Schwartzberg: "Yeah, exactly.”
BraveWords.com: A lot of people don’t know that you played on KISS’ Asylum album, but you did. Simply overdubs or full tracks?
Schwartzberg: "To be honest, I don’t remember. I really wish I could tell you. Gene would remember though.”
BraveWords.com: Are there any other KISS albums that you remember playing on?
Schwartzberg: "No, I think that’s it.”
BraveWords.com: That’s five albums. That’s pretty impressive.
Schwartzberg: "It was fun. Gene’s a good guy.”
Bravewords.com
(Editor's note: Schwartzberg has produced the new duet album for Regis & Joy Phelbin titled, "Just You And Me." You can visit Allan at his web sites Deepdiner.com & Bigdotrecords.com )
BraveWords.com: I’ve heard that you played drums on KISS’ Animalize and Asylum albums? Any truth to that or did you simply provide overdubs?
Schwartzberg: "Asylum, I did and on Animalize I did overdubs.”
BraveWords.com: How did KISS get in touch with you for those projects?
Schwartzberg: "I had already worked with Gene and I go back with the guys to the time when they were called WICKED LESTER.”
BraveWords.com: So, you go back to the late ‘60s/early ‘70s with them.
Schwartzberg: "Yeah, I was working at Hendrix’ studio (Electric Lady Land) and they were in the other studio working with Eddie Kramer. They were walking around in their boots and I was playing on a B.J. THOMAS record.”
BraveWords.com: Did they show up to record in full make-up and outfits?
Schwartzberg: "Well, I do remember them showing up in boots. Might not have been the big blocky boots, but they were decked out.”
BraveWords.com: Getting back to Animalize – this was 1984 and KISS were almost going for a heavy metal sound. They cranked up the amps and the drumming was a lot faster. How was it working on those overdubs? Do you know why Eric Carr wasn’t handling the overdubs?
Schwartzberg: "I don’t know the answer to that. I remember playing a lot of drums fills – fills that either weren’t there or they didn’t like and needed replacing.”
BraveWords.com: When you listen back to an album like that can you pick out your parts?
Schwartzberg: "I actually can. It’s a weird thing. It’s kind of like penguins amongst a million other penguins; they can still find their babies. I do hear myself in there.”
BraveWords.com: You ears perk up when you hear yourself…
Schwartzberg: "Yeah, exactly.”
BraveWords.com: A lot of people don’t know that you played on KISS’ Asylum album, but you did. Simply overdubs or full tracks?
Schwartzberg: "To be honest, I don’t remember. I really wish I could tell you. Gene would remember though.”
BraveWords.com: Are there any other KISS albums that you remember playing on?
Schwartzberg: "No, I think that’s it.”
BraveWords.com: That’s five albums. That’s pretty impressive.
Schwartzberg: "It was fun. Gene’s a good guy.”
Tuesday, October 26, 2010
Paul Stanley & Family Go Pumpkin Picking
It's the Great Pumpkin, Paul Stanley!
Paul, Erin and Sarah Go Pumpkin Picking
Photo:Splash
Paul Stanley his wife Erin and their 21 month old daughter Sarah pick out the best pumpkin Sarah at Mr. Bones Pumpkin Patch in West Hollywood .
Mr. Bones, a West Hollywood landmark since 1986, is a place to see and be seen. Last year Courteney Cox, David Arquette, Marky Mark, Tobey McGuire, Sarah Gilbert, Harrison Ford and Calista Flockhart, Lisa Rinna, Corey Feldman, and Lindsay Lohan all got their pumpkins at Mr. Bones. There is also a papparazzi photo section so celebs can smile when they find the perfect pumpkin.
Mr. Bones Pumpkin Patch is located at 702 North Doheny Drive in West Hollywood.
Gene Simmons Collapes, Hospitalized and Released
Gene Collapes at LAX, Hospitalized for Dehydration
TMZ
Gene Simmons was spotted leaving Centinela Hospital in Inglewood, Calif. today after he fainted at LAX yesterday. Sources close to Simmons tell TMZ he hit his head after fainting and was rushed to the hospital. He suffered a cut on his forehead and, after tests were run, sources tell us the doctors concluded it was just dehydration.
He was released today.
Gene's comments via his website:
"So, Miss Tweed and I were at LAX... we got some Decaf Coffee and some eggs... and there I am munching and taking a few sips... and then, I feel this rush of heat from my feet up to my head... and then apparently I blacked out.
I woke up in a nearby hospital. I was told I passed out due to dehydration, lack of sleep, and just pure exhaustion.
I spent a night at the hospital and found, to my surprise, half of my left eyebrow literally fell off... I must have hit the ground hard. I don't remember. So, there I am being stitched up, eating hospital food, and itchy to get back to work.
I'm back home. All is well.
I've been getting lots of emails and calls asking if everything is fine. Yes. Thank you. All is well.
I have a meeting in an hour, so I have to finish this.
More next time."
I woke up in a nearby hospital. I was told I passed out due to dehydration, lack of sleep, and just pure exhaustion.
I spent a night at the hospital and found, to my surprise, half of my left eyebrow literally fell off... I must have hit the ground hard. I don't remember. So, there I am being stitched up, eating hospital food, and itchy to get back to work.
I'm back home. All is well.
I've been getting lots of emails and calls asking if everything is fine. Yes. Thank you. All is well.
I have a meeting in an hour, so I have to finish this.
More next time."
Saturday, October 23, 2010
Kiss TV References This Week
"Mike & Molly"/CBS TV
Aired: 10/18/10 'Carl is Jealous' episode
Mike, Molly, her sister and Mike's police partner are double dating. During the course of their date, Molly explains her sister is a make-up artist at a funeral home and as Molly's sister explains, "One time I got really baked and made this 80 year old woman look like the drummer in Kiss."
"I Love You, Beth Cooper"/20th Century Fox
I just saw this movie over the weekend on HBO. The 2009 dramedy stars Hayden Panettiere as Beth and Paul Rust as Denis. As they are sitting on the back of a stationwagon, the song "Beth" (Peter Criss' version) can be heard in the backround. The film, a comedy directed by the famed Chris Columbus, is based on a novel by novel written by former The Simpsons writer Larry Doyle. The scene occurs :43 minutes into the film. "Beth" also appears on the film's soundtrack.
Aired: 10/18/10 'Carl is Jealous' episode
Mike, Molly, her sister and Mike's police partner are double dating. During the course of their date, Molly explains her sister is a make-up artist at a funeral home and as Molly's sister explains, "One time I got really baked and made this 80 year old woman look like the drummer in Kiss."
"I Love You, Beth Cooper"/20th Century Fox
I just saw this movie over the weekend on HBO. The 2009 dramedy stars Hayden Panettiere as Beth and Paul Rust as Denis. As they are sitting on the back of a stationwagon, the song "Beth" (Peter Criss' version) can be heard in the backround. The film, a comedy directed by the famed Chris Columbus, is based on a novel by novel written by former The Simpsons writer Larry Doyle. The scene occurs :43 minutes into the film. "Beth" also appears on the film's soundtrack.
Kiss 'Ghost' Drummer Allan Schwartzberg Interview
Bob Ezrin's Favorite 'Ghost' Drummer
Bravewords.com
BraveWords.com: The other major rock artist you worked with is KISS.
Schwartzberg: “Yes, that was through Bob Ezrin.”
BraveWords.com: You’ve played on a lot of KISS tracks. You started off on Gene Simmons’ first solo album.
Schwartzberg: “Yes, we went to The Manor in Oxford, England. We lived in the house and he was going out with CHER at the time. So, Cher and Chastity (as a little girl) were with us. We made the album using the entire Manor house. We had cables strung everywhere. We couldn’t see each other, but we were all connected by phones. I thought it was a great creative record. The producer was Sean Delaney and he was a super creative guy. He invented the make-up for KISS.”
BraveWords.com: He co-wrote a lot of their greatest songs…
Schwartzberg: “Yes, exactly. He was absolutely brilliant.”
BraveWords.com: You also worked on drummer Peter Criss’ solo album.
Schwartzberg: “Yes, with Peter Criss sitting on the floor next to the drums.”
BraveWords.com: Yes, and that’s never made sense to me. Why? Because Peter Criss is a drummer, but yet you’re the drummer on his album. Please explain.
Schwartzberg: “For some reason, he was out of commission, but the reason I did the KISS stuff in the first place was because Bob Ezrin had a problem with Peter’s playing as was the case with many other groups. I did a lot of ghost playing. I did Alice Cooper’s Muscle Of Love without credit. Not on every track, but I played on four or five tracks. Jack Richardson and Bob Ezrin did co-production on that.”
BraveWords.com: Did you simply do overdubs on that or did you actually play on the original tracks?
Schwartzberg: “They called me in and I did the drums over (without credit). There was a big tall blonde guy playing drums with them at the time and they weren’t happy with his tracks. From what I’ve been told, he never knew and I guess he eventually found out, but he didn’t know it wasn’t him… That’s kind of crazy.”
BraveWords.com: That’s one album I didn’t even know about. I knew that time frame the band was having internal problems and eventually brought in other players, but up until that point I always assumed that The Alice Cooper Group albums were played by the Alice Cooper Group.
Schwartzberg: “Well, that’s how they wanted it to be. I understand they didn’t want to complicate things and I got paid. Though it would have been nice to get the credit. So, I did that and Bob Ezrin told me that with Peter (Criss) he would say ‘Peter watch my hand,’ and he would move it up and down. Then, he would say, ‘Peter when my hand comes down that’s when you hit’. He couldn’t get him to do it and he couldn’t get him to play with a click track… it was a problem in those days for drummers to play evenly. The shit would sound great and rocking onstage, but when you’re making an album if it’s not even it just doesn’t make it. You can’t have the time of the song be uneven. It just doesn’t work. It’s called ‘sloppy’ and your foot stops tapping and the listener stops listening. You can tap your foot to all the great records even those from the ‘50s and ‘60s.”
BraveWords.com: Bob’s relationship with KISS dates back to the mid-70s. Did you do any work for Bob on a KISS album before the Gene and Peter solo albums? Did you play on KISS’ Destroyer album?
Schwartzberg: “I’m trying to remember. I did… hmmm. I’m fuzzing up on that one. I know I did KISS’ Animalize. Did I do something on Destroyer? I don’t know. I really don’t know.”
BraveWords.com: There are a lot of rumors out there as to which KISS albums you actually played on…
Schwartzberg: “I did The Elder.”
BraveWords.com: Right, you did the track ‘I’ on The Elder. Bob wasn’t happy with Eric Carr’s drumming, so he brought you in.
Schwartzberg: “I did it that out an Ace’s house in Connecticut, but it was more than one track.”
BraveWords.com: What’s been ‘released’ to the public is that you only played on ‘I’, but the story of the ghost musician is always much different than the ‘official story’. A band will begrudgingly admit to have a ghost musician play on one track when, in reality, they know it’s fifteen, right?
Schwartzberg: “Yes, yeah. It wasn’t a lot, but it was more than one. It doesn’t matter. The crazy part about that album was that Bob wanted me to double my drum part exactly. Play it over. He didn’t want to use…”
BraveWords.com: …studio tricks.
Schwartzberg: “He literally wanted me to double the part and that’s like tracing over what you played in a moment in time. It’s such a bitch to do. It was very hard. That Elder was supposed to be the start of another industry for KISS. They had the cartoons ready to go. They had the books. There was KISS World. It was going to be gigantic with this amazing marketing thing, but somehow it didn’t happen. It just fizzled. It just died.”
BraveWords.com: The album wasn’t that good unfortunately.
Schwartzberg: “I guess not.”
Read the entire interview herehttp://www.bravewords.com/news/148993
Bravewords.com
BraveWords.com: The other major rock artist you worked with is KISS.
Schwartzberg: “Yes, that was through Bob Ezrin.”
BraveWords.com: You’ve played on a lot of KISS tracks. You started off on Gene Simmons’ first solo album.
Schwartzberg: “Yes, we went to The Manor in Oxford, England. We lived in the house and he was going out with CHER at the time. So, Cher and Chastity (as a little girl) were with us. We made the album using the entire Manor house. We had cables strung everywhere. We couldn’t see each other, but we were all connected by phones. I thought it was a great creative record. The producer was Sean Delaney and he was a super creative guy. He invented the make-up for KISS.”
BraveWords.com: He co-wrote a lot of their greatest songs…
Schwartzberg: “Yes, exactly. He was absolutely brilliant.”
BraveWords.com: You also worked on drummer Peter Criss’ solo album.
Schwartzberg: “Yes, with Peter Criss sitting on the floor next to the drums.”
BraveWords.com: Yes, and that’s never made sense to me. Why? Because Peter Criss is a drummer, but yet you’re the drummer on his album. Please explain.
Schwartzberg: “For some reason, he was out of commission, but the reason I did the KISS stuff in the first place was because Bob Ezrin had a problem with Peter’s playing as was the case with many other groups. I did a lot of ghost playing. I did Alice Cooper’s Muscle Of Love without credit. Not on every track, but I played on four or five tracks. Jack Richardson and Bob Ezrin did co-production on that.”
BraveWords.com: Did you simply do overdubs on that or did you actually play on the original tracks?
Schwartzberg: “They called me in and I did the drums over (without credit). There was a big tall blonde guy playing drums with them at the time and they weren’t happy with his tracks. From what I’ve been told, he never knew and I guess he eventually found out, but he didn’t know it wasn’t him… That’s kind of crazy.”
BraveWords.com: That’s one album I didn’t even know about. I knew that time frame the band was having internal problems and eventually brought in other players, but up until that point I always assumed that The Alice Cooper Group albums were played by the Alice Cooper Group.
Schwartzberg: “Well, that’s how they wanted it to be. I understand they didn’t want to complicate things and I got paid. Though it would have been nice to get the credit. So, I did that and Bob Ezrin told me that with Peter (Criss) he would say ‘Peter watch my hand,’ and he would move it up and down. Then, he would say, ‘Peter when my hand comes down that’s when you hit’. He couldn’t get him to do it and he couldn’t get him to play with a click track… it was a problem in those days for drummers to play evenly. The shit would sound great and rocking onstage, but when you’re making an album if it’s not even it just doesn’t make it. You can’t have the time of the song be uneven. It just doesn’t work. It’s called ‘sloppy’ and your foot stops tapping and the listener stops listening. You can tap your foot to all the great records even those from the ‘50s and ‘60s.”
BraveWords.com: Bob’s relationship with KISS dates back to the mid-70s. Did you do any work for Bob on a KISS album before the Gene and Peter solo albums? Did you play on KISS’ Destroyer album?
Schwartzberg: “I’m trying to remember. I did… hmmm. I’m fuzzing up on that one. I know I did KISS’ Animalize. Did I do something on Destroyer? I don’t know. I really don’t know.”
BraveWords.com: There are a lot of rumors out there as to which KISS albums you actually played on…
Schwartzberg: “I did The Elder.”
BraveWords.com: Right, you did the track ‘I’ on The Elder. Bob wasn’t happy with Eric Carr’s drumming, so he brought you in.
Schwartzberg: “I did it that out an Ace’s house in Connecticut, but it was more than one track.”
BraveWords.com: What’s been ‘released’ to the public is that you only played on ‘I’, but the story of the ghost musician is always much different than the ‘official story’. A band will begrudgingly admit to have a ghost musician play on one track when, in reality, they know it’s fifteen, right?
Schwartzberg: “Yes, yeah. It wasn’t a lot, but it was more than one. It doesn’t matter. The crazy part about that album was that Bob wanted me to double my drum part exactly. Play it over. He didn’t want to use…”
BraveWords.com: …studio tricks.
Schwartzberg: “He literally wanted me to double the part and that’s like tracing over what you played in a moment in time. It’s such a bitch to do. It was very hard. That Elder was supposed to be the start of another industry for KISS. They had the cartoons ready to go. They had the books. There was KISS World. It was going to be gigantic with this amazing marketing thing, but somehow it didn’t happen. It just fizzled. It just died.”
BraveWords.com: The album wasn’t that good unfortunately.
Schwartzberg: “I guess not.”
Read the entire interview herehttp://www.bravewords.com/news/148993
Peter Criss Video from Making Strides Cancer Walk
Here is video of Peter Criss from last Sunday's (10/17/10) Making Strides Cancer Walk from Point Pleaseant Beach, NJ. The event drew over 12,000 people and $1.1 million dollars raised for Breast Cancer. Peter himself raised over $12,000 in sponsorship alone.
Video:KissAsylum
Video:KissAsylum
Support Gene Simmons in Rally for Kids with Cancer
Rally For Kids
Dear Friends,
The Rally for Kids with Cancer Foundation is dedicated to improving the quality of life for children throughout LA.
We will be participating in the Rally for Kids with Cancer Scavenger Cup on Saturday, October 23, 2010. By pledging for this event you are supporting children's cancer research from diagnosis and treatment, to conducting research and finding promising new therapies.
We hope you'll sponsor us in this very worthwhile cause. Your generous donation will go towards helping kids with cancer beat the disease so they can live active, full lives.
We can make a difference.
Thank you for your support!
Gene & Shannon
The Rally for Kids with Cancer Foundation is dedicated to improving the quality of life for children throughout LA.
We will be participating in the Rally for Kids with Cancer Scavenger Cup on Saturday, October 23, 2010. By pledging for this event you are supporting children's cancer research from diagnosis and treatment, to conducting research and finding promising new therapies.
We hope you'll sponsor us in this very worthwhile cause. Your generous donation will go towards helping kids with cancer beat the disease so they can live active, full lives.
We can make a difference.
Thank you for your support!
Gene & Shannon
Wednesday, October 20, 2010
Peter Criss at Point Pleasant Cancer Walk
Peter Criss At Point Pleasant Beach Cancer Walk
An estimated 12,000 people took part in last Sunday's Making Strides Walk for Breast Cancer in Point Pleasant Beach, NJ. 1.1 million dollars were raised for cancer research and awareness. Here are some photos of Peter at the event.
Photos courtesy of KissAsylum.com
Kiss Gets The Big Band Treatment
KISS are among the heavy rock acts to get the big band treatment with the Big Band Goes Heavy album. Finnish heavy metal musician Jarkko Ahola (TERÄSBETONI, NORTHERN KINGS) has recorded a heavy-meets-jazz album with OULU ALL STAR BIG BAND, which organizes performances in cooperation with guest stars and conductors. Due on October 29, "Big Band Goes Heavy" contains "big-band" versions of classic songs from DIO, QUEEN, KISS, IRON MAIDEN and BLACK SABBATH, among others.
The Oulu All Star Big Band feat. J. Ahola performing a cover of the Kiss song, "I Was Made For Loving You". Big Band arrangement by Sven Seebeck of the OASBB.The Oulu All Star Big Band invited J. Ahola (Teräsbetoni, Northern Kings) to appear as their vocalist for the "Big Band Goes Heavy" portion of the third OASBB Festival which took place at the Uusi Seaurahuone in Oulu, Finland on November 7th, 2009. Conductor and Artistic Director for OASBB: Tapio Maunuvaara.
The Oulu All Star Big Band feat. J. Ahola performing a cover of the Kiss song, "I Was Made For Loving You". Big Band arrangement by Sven Seebeck of the OASBB.The Oulu All Star Big Band invited J. Ahola (Teräsbetoni, Northern Kings) to appear as their vocalist for the "Big Band Goes Heavy" portion of the third OASBB Festival which took place at the Uusi Seaurahuone in Oulu, Finland on November 7th, 2009. Conductor and Artistic Director for OASBB: Tapio Maunuvaara.
Subscribe to:
Posts (Atom)